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The lack of roles for mature women is directly tied to who greenlights stories.

The presence of older women in cinema is currently a mix of high-profile "wins" and disappointing statistics: The lack of roles for mature women is

Similarly, The Crown gave us Claire Foy, but it truly ignited with Olivia Colman and then Imelda Staunton—mature women playing a monarch wrestling with mortality and legacy. Mare of Easttown gave Kate Winslet (46 at the time) her grittiest, least glamorous, and most celebrated role. This artistic shift is backed by cold, hard economics

This artistic shift is backed by cold, hard economics. The entertainment industry has finally realized that women over 40 are a massively underserved demographic with significant purchasing power. The success of films like Barbie (which featured a poignant monologue by America Ferrera about the impossibility of womanhood and utilized older actresses in dynamic roles) and the Mamma Mia! franchise proved that audiences will turn out in droves for stories that center on women of all ages. franchise proved that audiences will turn out in

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