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Originating in the 14th century, Noh is a highly stylized form of musical drama, famous for its slow, deliberate movements, haunting yōhyō (chanting), and intricate wooden masks. Its themes are often drawn from classical literature and Buddhist concepts of impermanence. Paired with Noh is Kyogen, a form of comic interlude that uses slapstick and satire to comment on human folly. Together, they represent a profound form of high art, where every gesture and vocal inflection carries immense symbolic weight.