Inside Studio C, the set for Antim Faisla—The Final Decision—had been dressed in immaculate ruin: a courtroom frozen in twilight, a judge’s bench like a cliff-edge, light angled to trap the last of the faces in chiaroscuro. The film's script was a knife. It cut into the industry itself: celebrity, law, the theater of justice. The director, Samar Rao, had written his notes in margins that smelled faintly of coffee and sharper things—old arguments, new guilt.
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