The film is loosely based on the 18th-century book by the Marquis de Sade, but Pasolini updates the setting to the final days of World War II in the Republic of Salò, a Nazi-puppet state in Northern Italy.
Viewed “qartulad,” this is the supra stripped of its soul. Where a Georgian feast celebrates shoboba (birth) and gandideba (glorification), Pasolini’s feast celebrates tanakhma (agreement to humiliation). The film’s libertines even adopt a quasi-paternal tone, calling their victims “my child,” eerily reminiscent of the affectionate address used by older Georgians to younger guests. The form remains; the content becomes hell. salo or the 120 days of sodom qartulad hot
: It was Pasolini's final work, released just three weeks after his unsolved murder in 1975. Where to Find it in Georgian (Qartulad) The film is loosely based on the 18th-century
The story follows four wealthy, powerful libertines—the Duke, the Bishop, the Magistrate, and the President—who kidnap eighteen teenagers. They retreat to a secluded villa where they subject the youths to four months of systematic torture and humiliation, governed by a set of "laws" they have created. Why is it so significant? The film’s libertines even adopt a quasi-paternal tone,
სიუჟეტი ვითარდება ჩაკეტილ ვილაში, სადაც ოთხი გავლენიანი და გარყვნილი ფაშისტი (ჰერცოგი, ეპისკოპოსი, მოსამართლე და პრეზიდენტი) 18 ახალგაზრდა გოგონასა და ბიჭს ატყვევებს. 120 დღის განმავლობაში ისინი ტყვეებს დაუნდობელი ფიზიკური, ფსიქოლოგიური და სექსუალური წამების მსხვერპლად აქცევენ.
One can imagine a hypothetical Georgian-language adaptation set in a 1990s Tbilisi basement or a Stalin-era sanatorium. The “entertainment” would involve forced polyphonic singing until throats bleed; toasts drunk to absent enemies; a “wedding” game where a girl is married to a corpse. The lifestyle on display would be the hollow shell of megobroba (friendship) twisted into a mechanism of surveillance and humiliation. Pasolini’s genius is to show that such a shell can exist anywhere—even, perhaps especially, where hospitality is most sacred.
Set in 1944 in the Republic of Salò (a Nazi-controlled puppet state in Northern Italy), the story follows four powerful, wealthy men—the Duke, the Bishop, the Magistrate, and the President—who represent the corrupt fascist elite.