The "24.96" and "FLAC LP" designations in the post describe the quality of a specific high-resolution digital rip of the vinyl record:
Producers like Tony Visconti mixed many of these records knowing they would be cut to lacquer. The Tactile Experience: David Bowie The Best Of Bowie 1980 -24.96- FLAC LP
In the digital age, where music is often dematerialized into a cloud-based utility, the specificity of a file name can feel like a palimpsest—a layering of obsolete technologies and enduring obsessions. Consider this string: David Bowie The Best Of Bowie 1980 -24.96- FLAC LP . At first glance, it is merely metadata: artist, title, a questionable date range, audio resolution, codec, and source. Yet for the dedicated listener, this label is a manifesto. It promises a unique listening experience, one that sits at the volatile intersection of canonical pop, vinyl nostalgia, and audiophile purism. This essay argues that the artifact described—a FLAC rip of a 1980s-era vinyl pressing of Bowie’s early best-of—is not merely a collection of songs but a constructed ghost: a sonic object that seeks to restore a material history and a specific, pre-CD frequency response that the commercial digital releases have long since erased. The "24
The post likely refers to a high-quality 24-bit/96kHz (24-96) digital rip of the 1980 compilation album, The Best of Bowie This specific release was a single LP compilation issued by At first glance, it is merely metadata: artist,
: A "Free Lossless Audio Codec" format that compresses the file size without any loss in audio quality.
: Collectors often distinguish between the official UK release (NE 1111) and international variants from countries like Australia or New Zealand, some of which contain unique edits, such as the rare version of "TVC 15". Later Compilations (1980–1987) The Best of Bowie [Vinyl LP] - Amazon.com
It focuses on Bowie's output from 1969 to 1979 .