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Teodoro Golfín, a renowned eye surgeon, successfully operates on Pablo. During the recovery, Marianela (Nela) is terrified of Pablo seeing her face, as she believes her physical ugliness will make him stop loving her. The Meeting (Chapter 21):

Nela’s death highlights the abandonment of those who are "useless" to a progress-driven society. The arrival of the surgeon Teodoro Golfín represents

The arrival of the surgeon Teodoro Golfín represents the unstoppable march of scientific progress. His successful operation on Pablo’s eyes is heralded as a miracle of modern medicine, yet it serves as the death knell for Nela. As Pablo gains his sight, the "blindness" of his heart is replaced by the superficiality of the eyes. This transition highlights Galdós’s skepticism toward a progress that fixes physical ailments while remaining indifferent to the social and emotional "deformities" caused by poverty. The Fatal Encounter and the "Final Chapters" inventing stories about the landscape.

Pablo and Nela walk through the countryside. Pablo creates a poetic, idealized version of the world for Nela, inventing stories about the landscape. He tells Nela that he loves her deeply, believing her to be the physical manifestation of the beautiful soul he senses. Nela is tortured by this; she loves him but knows she is physically ugly, and fears the day he might see her. a renowned eye surgeon

: Presentación de Marianela y su vida en las minas. Se describe su condición de ceguera y su relación con La Ratona.