Show Focus Points
2019 update released! Check out download page for details
Show Focus Points is a plugin for Adobe Lightroom. It shows you which focus points were selected by your camera when the photo was taken.
Show Focus Points
2019 update released! Check out download page for details
Show Focus Points is a plugin for Adobe Lightroom. It shows you which focus points were selected by your camera when the photo was taken.
Show Focus Points is a plugin for Adobe Lightroom which shows you which of your camera's focus points were used when you took a picture.
Below find some screenshots of the plugin in action.
Click on the images to enlarge them.
Download Mac-only version (6.6 MB)
Download Windows-only version (14 MB)
Download version containing both Mac+Windows versions (20 MB)
For decades, the unwritten rule of Hollywood was as cruel as it was clear: a woman had an expiration date. Once she crossed the threshold of 40, the scripts would dry up, the romantic leads would vanish, and the ingenue roles would be handed to a younger actress. The mature woman, if she appeared on screen at all, was relegated to a monolith of archetypes—the nagging mother, the wise-cracking grandmother, the eccentric neighbor, or the ghost of a former beauty.
Shows like The Crown (Olivia Colman, Imelda Staunton), Mare of Easttown (Kate Winslet), The White Lotus (Jennifer Coolidge), Better Things (Pamela Adlon), Grace and Frankie (Jane Fonda and Lily Tomlin), and Somebody Somewhere (Bridget Everett) placed mature women front and center. These were not side stories. They were complex examinations of grief, sexuality, friendship, ambition, and failure—universal human experiences, now finally given female faces over 50.
However, the trajectory is positive. For every stereotype that remains, a new archetype is born.
For decades, the unwritten rule of Hollywood was as cruel as it was clear: a woman had an expiration date. Once she crossed the threshold of 40, the scripts would dry up, the romantic leads would vanish, and the ingenue roles would be handed to a younger actress. The mature woman, if she appeared on screen at all, was relegated to a monolith of archetypes—the nagging mother, the wise-cracking grandmother, the eccentric neighbor, or the ghost of a former beauty.
Shows like The Crown (Olivia Colman, Imelda Staunton), Mare of Easttown (Kate Winslet), The White Lotus (Jennifer Coolidge), Better Things (Pamela Adlon), Grace and Frankie (Jane Fonda and Lily Tomlin), and Somebody Somewhere (Bridget Everett) placed mature women front and center. These were not side stories. They were complex examinations of grief, sexuality, friendship, ambition, and failure—universal human experiences, now finally given female faces over 50.
However, the trajectory is positive. For every stereotype that remains, a new archetype is born.