: A tranquil, spiritual ballad intended to evoke a "giving over of the self to the universe". Blues on the Corner
The album opens with "Passion Dance," a track that has since become a jazz standard. It is a tour de force of modal playing. Tyner’s famous "crushed" chords and thunderous left-hand ostinatos drive the groove, while Joe Henderson delivers a solo that is both angular and soulful. The synergy between Tyner and Elvin Jones is palpable; their time together in Coltrane’s band results in a rhythmic lockstep that feels like a single, breathing organism. mccoy tyner the real mccoyjazzflacrogercc work
The Real McCoy is a 1967 masterpiece by pianist McCoy Tyner , marking his debut on Blue Note Records : A tranquil, spiritual ballad intended to evoke
A "Real McCoy" analysis cannot ignore the interplay. Joe Henderson’s solo on "Passion Dance" is legendary. He navigates Tyner’s thunderous chords with a slippery, angular approach that perfectly complements the piano. This is the "work" of a band listening to each other in real-time—pushing and pulling until the tension is palpable. Joe Henderson’s solo on "Passion Dance" is legendary
Report: McCoy Tyner’s The Real McCoy (1967) is a definitive 1967 post-bop masterpiece and the seventh album by pianist McCoy Tyner . Recorded on April 21, 1967 , at Van Gelder Studio, it marked his debut for the Blue Note Records label and his first major statement after leaving the legendary John Coltrane Quartet. Album Overview
When analyzing , one must understand his physical approach. Unlike Bill Evans’ flat-fingered, feathery touch, Tyner played with straight fingers and a high wrist, generating force from the shoulder.