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Similarly, Shoplifters (2018), Hirokazu Kore-eda’s Palme d’Or winner, presents a Japanese family of convenience: a grandmother, a couple, a child, and a runaway girl—none of them biologically related. They steal to survive. When the film’s devastating revelation arrives (the “parents” kidnapped the boy from an abusive birth family), the question is not legal but emotional: what is a real family? Kore-eda’s answer is brutal and beautiful: a real family is who sleeps next to you when you are cold.