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In mainstream cinema, this manifests in the "layman fighting the system" trope. Kireedam (1989) is not just a story about a policeman’s son turning into a criminal; it is a study of how a rigid, corrupt, and bureaucratic system stifles the potential of the Nair middle class. Sandhesam (1991) used satire to mock the degradation of political ideals into caste-based vote-bank politics. These films assume a politically literate audience—one that reads newspapers and knows the difference between the CPI and the CPM. This is unique to Kerala.