Fumie Tokikoshi |top| Link
| | Criticisms | |------------|----------------| | Nikkei Asian Review (2016) – after Cicada’s Lament | Some felt the play leaned heavily on “artistic pretension” and that the earthquake’s representation risked aestheticizing tragedy. | | Online fan forums (2020) – regarding Echo Chamber | A minority argued the AI’s philosophical monologues were overly didactic, detracting from narrative momentum. | | Professor Yumi Ishikawa (Tokyo University) – essay (2022) | Suggested Tokikoshi’s “digital kintsugi” may romanticize technology’s capacity to heal social fissures without addressing systemic power imbalances. |
While it is impossible to prove or disprove the authenticity of Tokikoshi's claims, this investigation serves as a solid foundation for further exploration and discussion. Ultimately, the mystery surrounding Fumie Tokikoshi's story continues to inspire scientific investigation and philosophical debate, fueling our ongoing quest to understand the mysteries of the universe. fumie tokikoshi
Tokikoshi’s creations are deeply rooted in the exploration of human emotions | While it is impossible to prove or
Proletarian Poetry
In search of peace
Our hands bend iron for sickles,
but the heart starts to imagine
our enemies’ necks as grasses
When I read these lines
I thought what an image!
They were enough for me
to reach for my Visa card.
I also loved watching him
performing live. The first
poem he read about
wanting to be a river to
emigrate but still be at home
was marvellous.
Thanks for the introduction Peter.
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Thanks for the comment Owen and glad you liked it. Credit due to Chris Beckett who I met at The Shuffle, Poetry Cafe. Peter
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Thank you so much for posting this. I enjoyed Beweketu’s poetry even more than his novels through the years. I also hope his previous poetry works would be translated into english to reach a larger audience.
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Thanks very much. I’m glad you liked it. Best wishes, Peter
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